One card — the 1996-97 Topps #206 Derek Fisher rookie — sent to every grading company that will take it, in every holder they have produced. The grade does not matter. The slab is the point.
Everywhere else on this site the card is the variable and the collection is the sum of the cards. Here it is reversed: the card is the constant and the holder is the variable. Fixing one thing and changing one other is the only way to actually compare slabs — different dimensions, different label stock, different fonts, different seals, thirty years apart.
The 1996-97 Topps base rookie was chosen because it is plentiful and inexpensive. That matters more than it sounds: a card cannot sit in two holders at once, so each slab here is a separate physical copy of the same card. Twenty holders means twenty cards.
Whatever grade comes back is recorded and then ignored. A 6 documents a holder just as well as a 10, and refusing to chase the grade is what keeps this an archive instead of a portfolio.
Grouped by company, oldest holder first.
gradingMuseum tab in the master workbook — one row per
holder — then re-run generate-json.js. Rows appear here as soon as they carry a
slabId and a company, with or without a photo.
Why there are so many holders to collect — and why there may soon be fewer.
Every holder measured with calipers and drawn superimposed at true relative size. No two graders agree on how big a slab should be.
Graders tracked for this project whose holder is not here yet. — still open. If you have one of these, I am buying or trading.
Every grader tracked for this project, with what could and could not be confirmed. — verified out of —.
| Company | Country | Founded | Ownership | |
|---|---|---|---|---|
| Loading… | ||||
What the labels mean, who owns whom, and why the holder is worth collecting.
Company founding dates, ownership changes and holder revisions were checked against Sports Card Radio, Sports Collectors Daily, Beckett, CGC, TAG and coverage of the Collectors Holdings acquisitions. Verified July 2026.
Holder generations are documented by collectors, not published officially by the grading companies. No generation number appears here unless it can be supported. Where it cannot, the entry describes what is physically visible — dimensions, label layout, seal type, presence of a QR code — and says so plainly.
Every slab lists its certification number and, where the company provides one, a link to the public verification page. That is what separates this from a photo album: each entry can be checked by anyone.